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Adrian trained as a furniture maker and designer. He has recently focused on turning. He finds the process very liberating after the disciplines of furniture making. He likes to work intuitively without too many rules using wood from the local landscape.
Pursues the same concern in his printmaking as in his paintings – a focus on pure abstraction through a language of minimalism. Making no attempt at representation or figuration his work is purely abstract, direct and sparse, aiming to imbue form with a ‘lucid stillness’ and to convey this quality to the viewer.