24 Church St, Falmouth : 01326 319461
The Royal Cornwall Polytechnic Society
Have a look at the calendar text here to see what's coming up.
A mixed media, transcultural anatomical being, contemplating death, dissolution and transformation. This collaborative installation combines drawing, stained glass and laser-cut plywood by three artists. Additional works by the individual artists also on show.
Inspiration is drawn from a variety of sources with transformation at their root, including Buddhist and alchemical iconography, Hindu mythology, and the human body and mind.
Hindu Goddess Kali fiercely destroys challenging
mental afflictions, such as anger and jealousy, transmuting this detrimental
energy into spiritual power and liberation from suffering. Citipati, two
dancing skeletons found in Vajrayana and Tibetan Buddhism that represent the
cyclical flow of life and death, aid us in transforming our fear of death into
a release of worldly attachments and egoic desires. The kapala, or skull cup,
is an additional symbol of impermanence, used ritually to overcome attachment to
the material world. Alchemical imagery can be found in the flames and crucible,
representing the initial negredo stage of the process. This is dissolution,
death, chaos. Before the transformation begins.
The human body is constantly changing physically,
cells dying and being renewed, and as we are now commonly aware, with the
popularisation of the term ‘neuroplasticity’, we are very capable of
transforming our minds too. Through spiritual practices, therapies, and the use
of alternative psychoactive medicines, we can create new neural pathways and
completely transform stuck and embedded thought patterns.
The Exquisite Corpse is a physical embodiment of this
transformation. It is born from the deconstruction of the original visual
concept into separate parts for each artist to work on and explore creatively.
The pieces then finally merge back together to become something new and more
powerful than one individual artist could create.
Bethan McFadden:
Bethan McFadden creates drawings on paper and mixed
media sculptures based on impermanence, different states of consciousness and
the natural world. She has shown her work in a number of solo and group
exhibitions in the UK and abroad, undertaken a residency in a wild animal
refuge in Bolivia, and has had illustrations printed in creative environmental
publication Dark Mountain, and in a recent non-fiction book. She holds a
Bachelors in Drawing and a Masters in Prosthetic Effects. She is based in
Cornwall, UK.
Jo House:
Jo House is a stained glass glazier and artist based
in Falmouth and has lived in Cornwall for twelve years since moving from Devon
in 2014. His work is heavily influenced by the art of esoterica and folklore,
and the darker underlying themes of religion. He likes to juxtapose his work
with the traditional connotations of stained glass as an ecclesiastical art
form, delivering subversive notions of anti-establishment themes which question
long standing societal structures. He has practiced stained glass for three
years, carrying out a number of contemporary commissions and restorations and
repairs of historic panels throughout Cornwall and Devon.
Martin Tomsky:
London based artist Martin Tomsky creates
illustrative, relief pieces built up from layers of laser cut, stained plywood.
These range in size and shape from very small items of jewellery to much
larger, bespoke artworks. Each piece is hand assembled to create an organic
object that bridges the gap between craft, illustration and sculpture.
Bethan McFadden:
https://www.instagram.com/bethan_mcfadden_art/
Jo House:
https://www.rumahstainedglass.com/
https://www.instagram.com/rumahstainedglass/
Martin Tomsky:
https://www.instagram.com/tomskym/
BETHAN
MCFADDEN, JO HOUSE, MARTIN TOMSKY: THE EXQUISITE CORPSE
Tuesday 21st – Saturday 25th July
Private View: Tuesday 21st July, 5-7pm
FREE ENTRY, EVERYONE WELCOME!
***

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